In the 1950s, 1960s and 1970s, a wave of Chicano pop music surfaced through innovative musicians Carlos Santana, Johnny Rodriguez, Ritchie Valens and Linda Ronstadt. See 4 authoritative translations of El chicano in English with example sentences and audio pronunciations. A study on the group reported that reconnecting with Indigenous worldviews was overwhelmingly successful in helping Chicano, Latino, and Indigenous men heal.

[165], Chicana/os may seek out both Western biomedical healthcare and Indigenous health practices when dealing with trauma or illness. Characters in books such as Victuum (1976) by Isabella Ríos, The House on Mango Street (1983) by Sandra Cisneros, Loving in the War Years: lo que nunca pasó por sus labios (1983) by Cherríe Moraga, The Last of the Menu Girls (1986) by Denise Chávez, Margins (1992) by Terri de la Peña, and Gulf Dreams (1996) by Emma Pérez have also been read regarding how they intersect with themes of gender and sexuality. "[125], Chicano/a and Mexican labor organizers played an active role in notable labor strikes since the early 20th century including the Oxnard strike of 1903, Pacific Electric Railway strike of 1903, 1919 Streetcar Strike of Los Angeles, Cantaloupe strike of 1928, California agricultural strikes (1931–41), and the Ventura County agricultural strike of 1941,[127] endured mass deportations as a form of strikebreaking in the Bisbee Deportation of 1917 and Mexican Repatriation (1929–36), and experienced tensions with one another during the Bracero program (1942–64). I am also referring to a transcendent sense of interconnection that moves beyond the knowable, visible material world. "[93] Ravers used map points techniques to derail police raids. "[153], The historical image of the Mexican in the Southwest was "that of the greasy Mexican bandit or bandito,"[155] who was perceived as criminal because of Mestizo ancestry and "Indian blood."

"[176] Laura E. Pérez states in her study of Chicana art that "the artwork itself [is] altar-like, a site where the disembodied - divine, emotional, or social - [is] acknowledged, invoked, meditated upon, and released as a shared offering. "[8] Academic Lisa Y. Ramos notes that "this phenomenon demonstrates why no Black-Brown civil rights effort emerged prior to the 1960s.

"[61] As a precursor to the Chicano Movement, anti-assimilationist Mexican American youth rejected the previous generation's racial aspirations to assimilate into Anglo-American society and developed an "alienated pachuco culture that fashioned itself neither as Mexican nor American. [67] Juan Bruce-Novoa, a professor of Spanish and Portuguese at University of California, Irvine, wrote in 1990: "A Chicano lives in the space between the hyphen in Mexican-American. "[139], Some Chicanas/os argued that the solution was "to strengthen Chicano Studies institutionally" by creating "publishing outlets that would challenge Anglo control of academic print culture with its rules on peer review and thereby publish alternative research," arguing that by creating a Chicano space in the colonial academy that Chicanas/os could "avoid colonization in higher education." Mexican Americans are three times more likely than European Americans to live in poverty. [145] Some Chicanas/os identified with the idea of Aztlán as a result, which celebrated a time preceding land division and rejected the "immigrant/foreigner" categorization by Anglo society. By the 2000s, where the LAPD once deployed CRASH (Community Resources Against Street Hoodlums) units in traditionally Chicano neighborhoods like Echo Park and "often brutalized suspected taggers and gang members," street art was now being mainstreamed by the white art world in those same neighborhoods. Some think the word may trace its roots all the way back to the Nahuatl term “Meshico,” the indigenous word better known for evolving into the modern-day word “Mexico.” Others think “Chicano” is just a variation of the Spanish “mexicano.”. [164] Gabriel S. Estrada describes how "the overarching structures of capitalist white (hetero)sexism," including higher levels of criminalization directed toward Chicanos, has proliferated "further homophobia" among Chicano boys and men who may adopt "hypermasculine personas that can include sexual violence directed at others."

Vasquez's social themes have been compared with those found in the work of Upton Sinclair and John Steinbeck.

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